THEA1B
Module 1B: Collaborative Processes of Theatrical Design and Production (Core)
Outcome
Investigate how designers create and collaborate to bring a theatrical vision to life.
Indicators
(a) Examine the collaborative nature of theatre.
(b) Investigate ways that designers (e.g., set, costume, lighting, sound) get their ideas (e.g., identifying play requirements, researching, discussing with director).
(c) Examine the roles of individuals and teams in production design.
(d) Discuss functions of design areas (e.g., lighting to establish time, sound to reveal mood, set to establish place, costume to reveal character).
(e) Investigate the purposes and content of various theatrical toolboxes or toolkits (e.g., lighting designer’s, costume designer’s).
(f) Explore and apply components of a designer’s toolbox (e.g., visual skills, use of maquettes, representation of mood, use of symbol/metaphor, light, colour, sound) for aesthetic purposes.
(g) Analyze scenes to generate design ideas and determine technical requirements.
(h) Use communication tools (e.g., language, maquettes, pictures, visual storyboard) to convey design ideas (e.g., mood, environment, symbolism).
(i) Discuss purposes of a paper tech wherein designers meet with the stage manager to discuss and notate costume changes, light and sound transitions and other technical elements.
(j) Interpret a scene through innovative use of various theatrical toolboxes (e.g., director’s, lighting designer’s, scenic designer’s, costume designer’s).
(k) Use a technical design component (e.g., light, costume, sound, digital technologies) for symbolic purposes as a mode for communicating ideas.
(l) Change the point of view of a scene or dramatic work by amplifying a technical or artistic component (e.g., incorporate audience interaction, replace an actor with an object or technical feature, project digital images on moving actors, use social media conventions in performance).
(m) Create a production plan, budget and timeline, and identify roles for a real or imagined (e.g., paper or digital project) production.
(n) Use the language of theatre purposefully.
(o) Demonstrate willingness to take creative risks, understand that not all ideas will be realized and recognize the value of learning through failure.
(p) Reflect on the impact of design decisions on an audience.
(q) Examine and experiment with selected traditional world theatre conventions (e.g., design a piece related to a specific theatre arts context).
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